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ACCESS ART PICKS: THIS SEASONS STUDIO SELECTIONS*
norma alonzo
norma alonzo
norma alonzo
Through her paintings, Alonzo examines our place, metaphysically and functionally, in the midst of today’s fast-paced world. For Alonzo, it has been a time of painting dangerously. Experimentation with the formal elements of line, form, mass, and texture is now in play. More importantly, the guiding principle is fearlessness in the use of color and space.
INA GERKEN
norma alonzo
norma alonzo
Ina Gerken’s abstract gestural paintings are an interplay of perception, feeling, and motion. Works such as Untitled (Dearth 2) (2018) demonstrate emotion through the visual exchange between line, form, and color to achieve harmony. Applying precise lines with power and ferocity, her gestures guide the viewer’s experience as displays of energy.
kathleen ryan
norma alonzo
kathleen ryan
Insistent on their physicality, Ryan’s sculptures recast found and handmade objects as spectacular, larger-than-life hieroglyphs of Americana. Her mediums, which range from bowling balls to a deconstructed Airstream camper, are both familiar and iconographic, and seemingly lost in time. These materials are often at odds with the subjects they represent...
studio selects
LEIGH WITHERELL
Working primarily with acrylic on canvas, Witherell is best known for her compelling ability to capture scenes of human emotion through contemporary compositions, often reflecting profound and intimate moments. Witherell's work delves into authentic intimacy and the exploration of the most private moments of the human experience...
SZILARD GASPAR
A skillful young sculptor and a brilliant performance artist from the Cluj School of Art, Romania; His specific boxing abilities allow Szilard Gaspar to pursue a very special conceptual approach in performance art, since the leading theme in the artist’s research is at this moment the nature of the struggle between human power and matter..
YAGO HORTAL
Painting in vivid, sometimes fluorescent acrylics, smearing, marbling, and splattering the material in thick, abstract brushstrokes onto large-scale white canvases that pop with color, Hortal works on several paintings simultaneously, responding to the colors both impulsively and with premeditation, and often letting the paint drip down the canvas.